Box Office Report: ‘Dil Toh Baccha Hai Ji’ VS ‘Dhobi Ghat’: After a dull start on Friday, Dil Toh Baccha Hai Ji picked up on Saturday and Sunday, but movie couldn’t do much dhamaal at the box office. This Madhur Bhandarkar film had an average first weekend of around Rs 14.50 crore approx.
Dil Toh Baccha Hai Ji collected Rs 3.95 crore approx on Friday, Rs 4.85 crore approx on Saturday and Rs 5.75 crore approx on Sunday. Though it’s decent till now, as per trade reports, a big jump and good second weekend is possible for the film because there are no major releases this week except Yeh Saali Zindagi.
Coming to Dhobi Ghat, the movie collected Rs 13 crore in its first week but saw a major drop on eighth day. The movie may have to struggle to touch the Rs 15 crore mark. This Aamir Khan production though not successful in India is well received at the overseas market. The film collected around $950,000 (Rs 4.25 crore) from all the overseas market that includes United Kingdom, North America, UAE and Australia.
Another film that is doing extremely well overseas is Yamla Pagla Deewana. The collection of the movie has nearly touched $2.5 million (Rs 11.25 crore) from all markets. The movie is reportedly doing superb business in Canada which can be compared to the hits like Singh is Kinng, 3 Idiots and Mel Karade Rabba (Punjabi).
Showing posts with label Dhobi Ghat Movie. Show all posts
Showing posts with label Dhobi Ghat Movie. Show all posts
Tuesday, February 1, 2011
Wednesday, January 26, 2011
Aamir Khan's Dhobi Ghat isn't for everyone
Aamir Khan's Dhobi Ghat isn't for everyone: Actor-filmmaker Aamir Khan isn’t one bit surprised with the extreme reactions that his latest project “Dhobi Ghat” has been inviting. While a lot of young crowd can’t find a connect with the film, it is being critically acclaimed in film circles.
"I can see that the film has evoked extreme responses… as I had expected actually. Well, I had tried my best to say that this film is not for everyone,” Aamir posted on his Facebook page Tuesday.
“Dhobi Ghat” is Aamir’s wife Kiran Rao’s directorial debut. With a mix cast comprising Aamir, one-film-old Prateik Babbar and newcomers Monica Dogra and Kriti Malhotra, the movie narrates the story of four individuals with distinct backgrounds.
Aamir is overwhelmed with the response of those who have appreciated the movie.
“For those of you who the film has touched so deeply…K (Kiran) and I are so happy. Thank you for your overwhelming response, it has been most rewarding. So happy that the film connected so deeply with some of you. That is how it has been for us too. Thank you,” he added.
"I can see that the film has evoked extreme responses… as I had expected actually. Well, I had tried my best to say that this film is not for everyone,” Aamir posted on his Facebook page Tuesday.
“Dhobi Ghat” is Aamir’s wife Kiran Rao’s directorial debut. With a mix cast comprising Aamir, one-film-old Prateik Babbar and newcomers Monica Dogra and Kriti Malhotra, the movie narrates the story of four individuals with distinct backgrounds.
Aamir is overwhelmed with the response of those who have appreciated the movie.
“For those of you who the film has touched so deeply…K (Kiran) and I are so happy. Thank you for your overwhelming response, it has been most rewarding. So happy that the film connected so deeply with some of you. That is how it has been for us too. Thank you,” he added.
Monday, January 24, 2011
'Dhobi Ghat' movie Cast with Kiran Rao Judge a Photo Exhibition at PVR - Pics
'Dhobi Ghat' movie Cast with Kiran Rao Judge a Photo Exhibition at PVR - Pics:
'Dhobi Ghat' movie Cast with Kiran Rao Judge a Photo Exhibition at PVR:
'Dhobi Ghat' movie Cast with Kiran Rao Judge a Photo Exhibition at PVR - Pics
'Dhobi Ghat' movie Cast with Kiran Rao Judge a Photo Exhibition at PVR:
'Dhobi Ghat' movie Cast with Kiran Rao Judge a Photo Exhibition at PVR - Pics
Saturday, January 22, 2011
Box Office Report: 'Dhobi Ghat' open with mixed response
Box Office Report: 'Dhobi Ghat' open with mixed response: Aamir Khan and Kiran Rao’s film Dhobi Ghat has opened to a mixed response at the box office. At some centres the film is doing very well; at others the response is lukewarm.
The film has opened particularly well at certain multiplexes in metros like Mumbai, Delhi and Bangalore. The best response to the film bordered on 80 to 90 percent occupancy in theatres. At worst, the film got a 30 percent response. Moreover, the film picked up at box office in the evening compared to its collections in the morning.
Trade pundits feel that film has enough momentum to recover its paltry production cost of Rs. 8 crore (including publicity costs) in the first week itself. Also Wednesday (Republic Day) being a holiday will work to the film’s advantage.
On the other hand, the last week’s release Yamla Pagla Deewana rounded off the first week with a collection of Rs. 35 crore, which is way above those of some big budget productions we’ve seen in the recent past.
Of course, the favourable audience response has prompted the Deols to make the film’s sequel.
The film has opened particularly well at certain multiplexes in metros like Mumbai, Delhi and Bangalore. The best response to the film bordered on 80 to 90 percent occupancy in theatres. At worst, the film got a 30 percent response. Moreover, the film picked up at box office in the evening compared to its collections in the morning.
Trade pundits feel that film has enough momentum to recover its paltry production cost of Rs. 8 crore (including publicity costs) in the first week itself. Also Wednesday (Republic Day) being a holiday will work to the film’s advantage.
On the other hand, the last week’s release Yamla Pagla Deewana rounded off the first week with a collection of Rs. 35 crore, which is way above those of some big budget productions we’ve seen in the recent past.
Of course, the favourable audience response has prompted the Deols to make the film’s sequel.
Friday, January 21, 2011
Dhobi Ghat Movie Review - Kiran Rao's next film
Dhobi Ghat Movie Review - Kiran Rao's next film: Dhobi Ghat is a film that will get diverse reactions from the viewers. Some will no doubt snore through it, some will keep shifting in their seats impatiently, and there are still others who’ll be glued to the screen, unable to blink, totally sunk into the layered drama, the melancholy unravelling against the gentle, unnerving thrum of the most unique city in the world.
“Meri hamsafar, meri tawaif, meri jaan.” That’s how Arun (Aamir Khan) describes Mumbai. A reclusive painter with a mercurial temperament, he shifts into a run-down house in Old Mumbai to seek inspiration that he unexpectedly finds in the abandoned video diaries of a newly-wed Muslim woman Yasmeen (Kriti Malhotra), the Mumbai diaries recorded as letters to her brother back home in UP but never sent for reasons that remain obscure until the very end.
Shai (Monica Dogra) is a banker from the US, holidaying in Mumbai with her Canon digital still camera with which she hopes to record the daily lives of the aam aadmi - the dhobis, the hawkers, the perfume sellers, the night-watchmen. Munna (Prateik Babbar) is a dhobi with a dream to become an actor and a heart that throbs for Shai.
Among these four distinct characters, writer-director Kiran Rao weaves - warp and weft - a tale of intersecting lives, a tale of unrequited love, of one-night stand and the regret on the morning after, of hopes dashed and inspiration found, of loss and, ultimately, death. Dhobi Ghat is a film that calls for a different sensitivity from the viewer. It’s not just content being another clichéd collage of vignettes of the city’s streets and squalor, though there are many, thanks to the black-and-white snaps by Jyotika Jain. Nah! It leaps beyond that and takes a plunge into the lives of the characters, depicting their anxieties, desires and loss with nearly brutal realism but an empathetic heart.
It’s surely not a film for the suckers of speed - the folks who trip on imaginative shot compositions, slick editing, brisk pace punctuated with quip-heavy dialogues and more such screenplay-savvy gimmickry. Kiran Rao puts the story above all. Simply and quite craftily she unravels it with no sense of urgency or desire to overwhelm the viewer. She takes her sweet time to let the story take roots on the screen, the tempo of the screenplay being just right for a film of this genre. It ambles on for a good hour and then slowly, creepily, explodes in its dying minutes into a denouement that’s sure to give you a lump in the throat.
Performances are simply top-notch, though I felt a bit shortchanged by the Hindi-dubbed dialogues. Kriti Malhotra and Prateik Babbar are the pick of the lot. Kriti’s transformation from a curious newcomer in Mumbai into a dejected, depressed housewife ruing her marriage is unsettling, to say the least. Prateik Babbar’s gauche manners, rawness and his irresolute demeanour bring to life the character of the starry-eyed dhobi but the bashful lover that he plays. Aamir Khan’s performance hinges mainly on his character’s looks and expressions, for Arun is a guy who speaks in monosyllables. Monica Dogra’s affected Hindi accent does grate on you for a bit, but her natural performance, more than her swoon-inducing natural beauty, makes up for it. And then there’s the haunting score by the Argentinean composer Gustavo Santaolalla, giving the film a definitive identity.
Some viewers will doubtlessly whine about the film’s pace. Others will grunt at the repeated regressions into the video diaries of Yasmeen. Agreed, but keep in mind that Dhobi Ghat isn’t a film made with an eye on the box office. It’s not designed to please everyone. It’s a very personal ode, a melancholic one at that, to the city and the souls it houses. It's a film made from the heart, a film that restores a movie buff’s faith in the cinema devoid of any vain opulence or pretension of art.
My advice: watch it if you happen to love cinema and think that there’s more to it than entertainment, thrills, vanity, and ha-ha-he-he.
“Meri hamsafar, meri tawaif, meri jaan.” That’s how Arun (Aamir Khan) describes Mumbai. A reclusive painter with a mercurial temperament, he shifts into a run-down house in Old Mumbai to seek inspiration that he unexpectedly finds in the abandoned video diaries of a newly-wed Muslim woman Yasmeen (Kriti Malhotra), the Mumbai diaries recorded as letters to her brother back home in UP but never sent for reasons that remain obscure until the very end.
Shai (Monica Dogra) is a banker from the US, holidaying in Mumbai with her Canon digital still camera with which she hopes to record the daily lives of the aam aadmi - the dhobis, the hawkers, the perfume sellers, the night-watchmen. Munna (Prateik Babbar) is a dhobi with a dream to become an actor and a heart that throbs for Shai.
Among these four distinct characters, writer-director Kiran Rao weaves - warp and weft - a tale of intersecting lives, a tale of unrequited love, of one-night stand and the regret on the morning after, of hopes dashed and inspiration found, of loss and, ultimately, death. Dhobi Ghat is a film that calls for a different sensitivity from the viewer. It’s not just content being another clichéd collage of vignettes of the city’s streets and squalor, though there are many, thanks to the black-and-white snaps by Jyotika Jain. Nah! It leaps beyond that and takes a plunge into the lives of the characters, depicting their anxieties, desires and loss with nearly brutal realism but an empathetic heart.
It’s surely not a film for the suckers of speed - the folks who trip on imaginative shot compositions, slick editing, brisk pace punctuated with quip-heavy dialogues and more such screenplay-savvy gimmickry. Kiran Rao puts the story above all. Simply and quite craftily she unravels it with no sense of urgency or desire to overwhelm the viewer. She takes her sweet time to let the story take roots on the screen, the tempo of the screenplay being just right for a film of this genre. It ambles on for a good hour and then slowly, creepily, explodes in its dying minutes into a denouement that’s sure to give you a lump in the throat.
Performances are simply top-notch, though I felt a bit shortchanged by the Hindi-dubbed dialogues. Kriti Malhotra and Prateik Babbar are the pick of the lot. Kriti’s transformation from a curious newcomer in Mumbai into a dejected, depressed housewife ruing her marriage is unsettling, to say the least. Prateik Babbar’s gauche manners, rawness and his irresolute demeanour bring to life the character of the starry-eyed dhobi but the bashful lover that he plays. Aamir Khan’s performance hinges mainly on his character’s looks and expressions, for Arun is a guy who speaks in monosyllables. Monica Dogra’s affected Hindi accent does grate on you for a bit, but her natural performance, more than her swoon-inducing natural beauty, makes up for it. And then there’s the haunting score by the Argentinean composer Gustavo Santaolalla, giving the film a definitive identity.
Some viewers will doubtlessly whine about the film’s pace. Others will grunt at the repeated regressions into the video diaries of Yasmeen. Agreed, but keep in mind that Dhobi Ghat isn’t a film made with an eye on the box office. It’s not designed to please everyone. It’s a very personal ode, a melancholic one at that, to the city and the souls it houses. It's a film made from the heart, a film that restores a movie buff’s faith in the cinema devoid of any vain opulence or pretension of art.
My advice: watch it if you happen to love cinema and think that there’s more to it than entertainment, thrills, vanity, and ha-ha-he-he.
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Salman Khan to teach Aamir Khan for Dhobi Ghat!
Salman Khan to teach Aamir Khan for Dhobi Ghat!: To play his character in Dhobi Ghat, Aamir Khan became a shishya of Salman Khan for a few weeks and diligently learnt from him how to create paintings.
It’s no secret that Salman is a terrific painter, even though the star downplays that talent of his. So when Aamir bagged the role of a painter in wife Kiran Rao’s film Dhobi Ghat, he turned to his good friend Salman for help.
Being the perfectionist that he is, Aamir wasn’t going to settle for a tacky portrayal of a painter. He wanted to learn the fine points of painting. And Salman more than willingly helped Aamir with that. For a few weeks he was Aamir’s art guru and Aamir his diligent student.
We hear that as guru dakshina, Aamir gave Salman a painting made by him. It’s an abstract painting with imaginative use of colours.
Salman has reportedly loved Aamir’s painting and has hung it in his bar, even though he’s off the bottle nowadays.
It’s no secret that Salman is a terrific painter, even though the star downplays that talent of his. So when Aamir bagged the role of a painter in wife Kiran Rao’s film Dhobi Ghat, he turned to his good friend Salman for help.
Being the perfectionist that he is, Aamir wasn’t going to settle for a tacky portrayal of a painter. He wanted to learn the fine points of painting. And Salman more than willingly helped Aamir with that. For a few weeks he was Aamir’s art guru and Aamir his diligent student.
We hear that as guru dakshina, Aamir gave Salman a painting made by him. It’s an abstract painting with imaginative use of colours.
Salman has reportedly loved Aamir’s painting and has hung it in his bar, even though he’s off the bottle nowadays.
Thursday, January 20, 2011
Prateik Babbar a Dhobi Ghat boy's love story
Prateik Babbar a Dhobi Ghat boy's love story: In Dhobi Ghat, Prateik plays a laundry boy who befriends a holidaying banker (Monica Dogra), goes out on a movie date with her, but ends up feeling jilted.
Getting into the skin of the character may not have been that difficult for Prateik, for his girlfriend Hanisha Melwani broke up with him after a three-year-long relationship.
Prateik’s real love story goes like this: He met Hanisha more than three years ago. Their friendship turned into love and Prateik too was eyeing stardom after having made a noticeable debut in Jaane Tu Ya Jaane Na. Things seemed hunky dory until Hanisha began ignoring him.
It was clear that something had given away and Hanisha no longer wanted Prateik in her life. But a possessive Prateik could not let go of her. He encountered her in a restaurant to sort things out, but the meeting took an ugly turn. A heated argument followed. The media was suddenly talking about Prateik on the rebound, chasing his (ex) girlfriend.
To get over the break up, Prateik then immersed himself in work. And slowly and slowly, he overcame his obsession for Hanisha. Today, Prateik says he’s no longer running after Hanisha. Rather, he’s single and enjoying it that way.
Getting into the skin of the character may not have been that difficult for Prateik, for his girlfriend Hanisha Melwani broke up with him after a three-year-long relationship.
Prateik’s real love story goes like this: He met Hanisha more than three years ago. Their friendship turned into love and Prateik too was eyeing stardom after having made a noticeable debut in Jaane Tu Ya Jaane Na. Things seemed hunky dory until Hanisha began ignoring him.
It was clear that something had given away and Hanisha no longer wanted Prateik in her life. But a possessive Prateik could not let go of her. He encountered her in a restaurant to sort things out, but the meeting took an ugly turn. A heated argument followed. The media was suddenly talking about Prateik on the rebound, chasing his (ex) girlfriend.
To get over the break up, Prateik then immersed himself in work. And slowly and slowly, he overcame his obsession for Hanisha. Today, Prateik says he’s no longer running after Hanisha. Rather, he’s single and enjoying it that way.
Aamir Khan's 'Dhobi Ghat' Movie Preview
Aamir Khan's 'Dhobi Ghat' Movie Preview: The movie stars Aamir Khan, Prateik Babbar, Kriti Malhotra and Monica Dogra in leading roles. Kiran Rao, Aamir Khan’s wife and assistant director of Lagaan, makes her directorial debut with the film that’s been shot in the narrow and crowded alleys of Masjid Bandar area of Mumbai.
The film has already been to some international film festivals and has been described as Kiran Rao’s love letter to Mumbai. Rao herself has admitted that Mumbai is the fifth character in the story.
Aamir Khan as Arun
Arun is a recluse. Mostly he stays holed up in his room and paints endlessly. He stumbles upon the video diaries of a woman named Yasmin.
Prateik Babbar as Munna
Munna is a dhobi with the dream of becoming a filmstar someday. He idolizes Salman Khan. His world changes when he meets Shai.
Monica Dogra as Shai
Shai is a banker on a holiday in Mumbai. She wants to preserve her memories of Mumbai in a camera. She gets interested in the local dhobi Munna. Through her lens she also peeps into the life of the reclusive painter Arun.
Kriti Malhotra as Yasmin
She’s a newly married Muslim woman who records her daily life in Mumbai on a video camera to send the tapes to her brother.
Synopsis:
Dhobi Ghat (Mumbai diaries) is the story of four people from very different backgrounds, whose worlds intersect and leave them forever altered. As they find themselves drawn into compelling relationships, the city finds its way into the crevices of their lives, separating them even as it brings them closer...
Fragments of their experience - seen through a naive video diary, black and white photographic images and painting - form a portrait of Mumbai and its people bound together as they journey through longing, loneliness, loss and love.
The film has music by Gustavo Santaolalla and cinematography by Tushar Kanty Ray.
The film has already been to some international film festivals and has been described as Kiran Rao’s love letter to Mumbai. Rao herself has admitted that Mumbai is the fifth character in the story.
Aamir Khan as Arun
Arun is a recluse. Mostly he stays holed up in his room and paints endlessly. He stumbles upon the video diaries of a woman named Yasmin.
Prateik Babbar as Munna
Munna is a dhobi with the dream of becoming a filmstar someday. He idolizes Salman Khan. His world changes when he meets Shai.
Monica Dogra as Shai
Shai is a banker on a holiday in Mumbai. She wants to preserve her memories of Mumbai in a camera. She gets interested in the local dhobi Munna. Through her lens she also peeps into the life of the reclusive painter Arun.
Kriti Malhotra as Yasmin
She’s a newly married Muslim woman who records her daily life in Mumbai on a video camera to send the tapes to her brother.
Synopsis:
Dhobi Ghat (Mumbai diaries) is the story of four people from very different backgrounds, whose worlds intersect and leave them forever altered. As they find themselves drawn into compelling relationships, the city finds its way into the crevices of their lives, separating them even as it brings them closer...
Fragments of their experience - seen through a naive video diary, black and white photographic images and painting - form a portrait of Mumbai and its people bound together as they journey through longing, loneliness, loss and love.
The film has music by Gustavo Santaolalla and cinematography by Tushar Kanty Ray.
Labels:
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Movies,
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Monday, January 17, 2011
Aamir Khan very excited to do lovemaking scene in 'Dhobi Ghat'
Aamir Khan very excited to do lovemaking scene in 'Dhobi Ghat': The actor Aamir Khan was super-excited to shoot a lovemaking scene in wifey’s movie Dhobi Ghat, but before the star could realize that he is shooting a steamy scene, the sequence was over.
Earlier, Kiran Rao had said that she kept the intimate scene ‘tame’ and was happy with the result. Alas! It seems her husband wasn’t pleased with the direction of the scene.
Recently Aamir was quoted as saying, “When I read the script of Dhobi Ghat, I spotted a sequence where I was to do a love making scene. So, I was pretty excited about the same. Finally, when we started filming the said sequence, the lovemaking was over before I could realise it.”
The movie buffs are eagerly waiting for the film which is releasing on January 21. In the film Aamir plays a painter who develops a liking for the woman whom he has seen in video tapes.
Earlier, Kiran Rao had said that she kept the intimate scene ‘tame’ and was happy with the result. Alas! It seems her husband wasn’t pleased with the direction of the scene.
Recently Aamir was quoted as saying, “When I read the script of Dhobi Ghat, I spotted a sequence where I was to do a love making scene. So, I was pretty excited about the same. Finally, when we started filming the said sequence, the lovemaking was over before I could realise it.”
The movie buffs are eagerly waiting for the film which is releasing on January 21. In the film Aamir plays a painter who develops a liking for the woman whom he has seen in video tapes.
Monday, January 10, 2011
Monday, December 27, 2010
Aamir Khan wants to play an 18-year-old in 'Dhobi Ghat'
Aamir Khan wants to play an 18-year-old in 'Dhobi Ghat': At 45, Aamir Khan is still game for playing an 18-year-old. Well, such was the irresistible charm of the character that his wife Kiran Rao had penned in her directorial debut Dhobi Ghat.
When Aamir heard the script, he was so bowled over by it that he wanted to act in it. And he wanted to play the role of an 18-year-old dhobi. But the role eventually went to Prateik Babbar.
“When I heard all the characters, I really liked Prateik's character and wanted to do that. But the character requires someone who looks 18-19 years old. So to prove it to Kiran that I can look that young, I did 3 Idiots. But she still didn't agree. Thankfully she gave me some role in her film,” Aamir said while promoting the film at Andheri.
The media persons were surely surprised to see Aamir at the do because earlier at the unveiling of the first look of the film, his wife Kiran Rao had said that she wants Aamir to stay away from the promotions so that limelight is not taken away from the movie.
“I was never meant to be away from the promotions of the film. I'm very proud of the film and I'm part of it, since I'm the producer and have also acted in it. Even Kiran can't keep me away from it,” Aamir said.
Set to release on January 21, Dhobi Ghat also stars Monica Dogra, Kriti Malhotra, Kitu Gidwani and Nafisa Khan. It tells the story of four characters in downtown Mumbai. Though each comes from a different class of society, their lives are subtly intertwined.
When Aamir heard the script, he was so bowled over by it that he wanted to act in it. And he wanted to play the role of an 18-year-old dhobi. But the role eventually went to Prateik Babbar.
“When I heard all the characters, I really liked Prateik's character and wanted to do that. But the character requires someone who looks 18-19 years old. So to prove it to Kiran that I can look that young, I did 3 Idiots. But she still didn't agree. Thankfully she gave me some role in her film,” Aamir said while promoting the film at Andheri.
The media persons were surely surprised to see Aamir at the do because earlier at the unveiling of the first look of the film, his wife Kiran Rao had said that she wants Aamir to stay away from the promotions so that limelight is not taken away from the movie.
“I was never meant to be away from the promotions of the film. I'm very proud of the film and I'm part of it, since I'm the producer and have also acted in it. Even Kiran can't keep me away from it,” Aamir said.
Set to release on January 21, Dhobi Ghat also stars Monica Dogra, Kriti Malhotra, Kitu Gidwani and Nafisa Khan. It tells the story of four characters in downtown Mumbai. Though each comes from a different class of society, their lives are subtly intertwined.
Monday, December 6, 2010
Kiran Rao strictly against casting Aamir Khan for Lead Role?
Kiran Rao strictly against casting Aamir Khan for Lead Role?: Hard to believe, but Kiran Rao was strictly against casting her husband Aamir Khan for the lead role in Dhobi Ghat. How Aamir wooed her makes for an interesting story.
When Aamir read the script that his wife had written he happily volunteered to play the character of Arun, a painter living in the very crowded Masjid Bunder area in Mumbai.
But Kiran was categorically against signing Aamir. Firstly, she was looking for a new face. Secondly, she wanted to shoot the movie in real setting and the presence of Aamir would create crowds of fans within minutes.
Kiran, in fact, auditioned a number of new actors. But none satisfied her. That’s when Aamir played his trick.
“I offered demonstrate to Kiran and the film’s crew how the character should be played,” Aamir said in a TV programme.
Of course, Aamir’s objective was to grab the role. And the trick did work. Once Kiran and the crew saw the rushes of Aamir playing Arun, they unanimously agreed that he suited the role best.
Then what? Aamir had what he wanted.
About Kiran’s fear of Aamir’s presence creating a mob fury? The actor shot secretly in real location and stayed inside a flat for three weeks without anyone in the area getting to know of it.
Some smooth operator he is!
When Aamir read the script that his wife had written he happily volunteered to play the character of Arun, a painter living in the very crowded Masjid Bunder area in Mumbai.
But Kiran was categorically against signing Aamir. Firstly, she was looking for a new face. Secondly, she wanted to shoot the movie in real setting and the presence of Aamir would create crowds of fans within minutes.
Kiran, in fact, auditioned a number of new actors. But none satisfied her. That’s when Aamir played his trick.
“I offered demonstrate to Kiran and the film’s crew how the character should be played,” Aamir said in a TV programme.
Of course, Aamir’s objective was to grab the role. And the trick did work. Once Kiran and the crew saw the rushes of Aamir playing Arun, they unanimously agreed that he suited the role best.
Then what? Aamir had what he wanted.
About Kiran’s fear of Aamir’s presence creating a mob fury? The actor shot secretly in real location and stayed inside a flat for three weeks without anyone in the area getting to know of it.
Some smooth operator he is!
Tuesday, November 30, 2010
No one to pull the release date of Aamir Khan's 'Dhobi Ghat'?
No one to pull the release date of Aamir Khan's 'Dhobi Ghat'?: Aamir Khan has the power and he doesn't even make an effort to flaunt it. No wonder, with his decision to pull the release date of his next, Dhobi Ghat, from February to January (21st to be precise), he is getting a clear road ahead with no traffic whatsoever, what with Abhishek Bachchan starrer Game moving to a later date as well.
Says a veteran industry insider, "Game was earlier all set to release on 21st January. The date was announced months ago and with the film's principal shoot being through, there were plans lined up to cut the theatrical promo as well."
One was surprised though with the stance taken by Game to stick on to its original release plans. After all two other biggies had silently moved away from the same date with Vishal Bhardwaj's Saat Khoon Maaf and Madhur Bhandarkar's Dil To Baccha Hai Ji planning to arrive later on. However, as things stand today, the makers of Game have announced a new date,18th March, and in the process have steered clear of Aamir Khan's film (despite it being a low budget offbeat experimental cinema).
Ritesh Sidhwani, producer of Game along with Farhan Akhtar confirms, "Yes, we are not coming on 21st January anymore. It is 18th March for us." One also suspects if this was a goodwill gesture, given the fact that the producers are anyways working with Aamir Khan for their next outing (to be directed by Reema Kagti). After all it won't be fair to clash with the same actor at the box office with whom they have already begun collaboration.
Aamir Khan "No, that was not the case", Ritesh kills the speculation here, "We are not yet ready with our film and needed more time for post production. Since it looked difficult to get Game ready in February as well, we are now aiming for March."
This makes good business as well as commercial sense after all. There has been a heavy dose of films right through the last quarter of 2010. January doesn't look any better with half a dozen major films anyways planned for release. Moving ahead to March means that Game has a field wide open for it to enjoy all the perks that come along with a solo release as well as zilch competition.
Point to be noted though is that World Cup cricket would be in its full fervour during March. A 'game' like this in the middle of some intense game of cricket should indeed bring in all the thrills, both on the big as well as the small screen.
Says a veteran industry insider, "Game was earlier all set to release on 21st January. The date was announced months ago and with the film's principal shoot being through, there were plans lined up to cut the theatrical promo as well."
One was surprised though with the stance taken by Game to stick on to its original release plans. After all two other biggies had silently moved away from the same date with Vishal Bhardwaj's Saat Khoon Maaf and Madhur Bhandarkar's Dil To Baccha Hai Ji planning to arrive later on. However, as things stand today, the makers of Game have announced a new date,18th March, and in the process have steered clear of Aamir Khan's film (despite it being a low budget offbeat experimental cinema).
Ritesh Sidhwani, producer of Game along with Farhan Akhtar confirms, "Yes, we are not coming on 21st January anymore. It is 18th March for us." One also suspects if this was a goodwill gesture, given the fact that the producers are anyways working with Aamir Khan for their next outing (to be directed by Reema Kagti). After all it won't be fair to clash with the same actor at the box office with whom they have already begun collaboration.
Aamir Khan "No, that was not the case", Ritesh kills the speculation here, "We are not yet ready with our film and needed more time for post production. Since it looked difficult to get Game ready in February as well, we are now aiming for March."
This makes good business as well as commercial sense after all. There has been a heavy dose of films right through the last quarter of 2010. January doesn't look any better with half a dozen major films anyways planned for release. Moving ahead to March means that Game has a field wide open for it to enjoy all the perks that come along with a solo release as well as zilch competition.
Point to be noted though is that World Cup cricket would be in its full fervour during March. A 'game' like this in the middle of some intense game of cricket should indeed bring in all the thrills, both on the big as well as the small screen.
Thursday, November 18, 2010
Aamir Khan's‘Dhobi Ghat’ first look
Aamir Khan's‘Dhobi Ghat’ first look: Many Aamir Khan fans were waiting for Dhobi Ghat to release this year after the movie received rave reviews for its sensitive subject at Toronto Film Festival. But the movie is releasing next year in India.
The film’s first look is out and it takes a few moments to understand the poster. After some pondering, it becomes clear that the movie’s poster has Mumbai’s map painted in blue showing all the other characters of the film. In the movie, amchi Mumbai also plays a character. Directed by Kiran Rao, the film is a moving tale about four individuals.
The story is entwined with interpersonal relationships. Aamir plays the role of a painter who owns a small studio in Mumbai and Prateik Babbar is a dhobi. Monica Dogra is the woman who shares affection for both the male characters. The movie is centered on Mumbai’s famous Dhobi Ghat, the livelihood of traditional washer-men of the city. The music score of the film is given by Oscar-winning Argentinean composer Gustavo Santaolalla.
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Aamir Khan's‘Dhobi Ghat’ first look |
The story is entwined with interpersonal relationships. Aamir plays the role of a painter who owns a small studio in Mumbai and Prateik Babbar is a dhobi. Monica Dogra is the woman who shares affection for both the male characters. The movie is centered on Mumbai’s famous Dhobi Ghat, the livelihood of traditional washer-men of the city. The music score of the film is given by Oscar-winning Argentinean composer Gustavo Santaolalla.
Dhobi Ghat Trailer - Aamir Khan's new Home Production
Dhobi Ghat Trailer - Aamir Khan's new Home Production: Aamir Khan is in the news again, as the release date of his latest film Dhobi Ghat is drawing near. As expected, the trailer of the film is rocking.
Aamir looks cool in Dhobi Ghat trailer. He is seen adding colours with a painting brush, reminding us of his character in Taare Zameen Par, where he painted image of Darsheel Safary. He is also seen cooking in the kitchen. The trailers have come out good.
Dhobi Ghat is directed by Aamir's wife Kiran Rao and produced under the banner of Aamir Khan Productions. It is scheduled for release on January 21, 2011.
here you watch Dhobi Ghat First Trailer:
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Dhobi Ghat - Aamir Khan's new Home Production |
Dhobi Ghat is directed by Aamir's wife Kiran Rao and produced under the banner of Aamir Khan Productions. It is scheduled for release on January 21, 2011.
here you watch Dhobi Ghat First Trailer:
Wednesday, November 10, 2010
Dhobi Ghat won't appeal to the audience, Aamir Khan

Though Dhobi Ghat was well received at the Toronto International Film festival where it was screened for the first time, Aamir has his reservations about the film, which is sensitive in its approach. Aamir is quoted as saying, “I fear that the masses may not like it because it is a very fine and delicate film.”
According to Aamir, the film is for the people who understand films and are sensitive.
The producer clearly admitted that it’s not a hard-core commercial film which will appeal to masses.
Directed by Kiran Rao, his wife, the film is about four individuals whose lives are intertwined.
Yet, Aamir believes that Dhobi Ghaat is the best from his production house.
Labels:
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Wednesday, October 27, 2010
Aamir Khan starrer 'Dhobi Ghat' releasing come soon but?
Aamir Khan starrer 'Dhobi Ghat' releasing come soon but?: Aamir Khan starrer ‘Dhobi Ghat’ (the directorial debut of wife Kiran Rao) was slated to release on 25th February. However, now the maverick and dexterous Aamir has decided to unleash it on 21st January. The fact that Aamir has preponed his film by a month is not going down the throat of director Vishal Bharadwaj who is apparently displeased.
Reason? Well, he was planning to release his Priyanka Chopra starrer flick ‘Saat Khoon Maaf’ on that date.
Reasons why Aamir has preponed his film:
1. Firstly, the cricket World Cup is to begin next year and hence the date of 25th February won’t be an auspicious time for any Bollywood film.
2. Secondly, 21st January is a good time to release the film given that it is the festive week with 26th January being observed as India’s Republic Day. "Aamir feels the earlier he comes during the year the better. The January 26 weekend is a great time to release a film.”
Now, since UTV has produced both ‘Dhobi Ghat’ and ‘Saat Khoon Maaf’, it is now pressuring Vishal to change the date of his flick. Aamir and Vishal are not on very amiable terms and this tiff would only add to their personal woes.
Reason? Well, he was planning to release his Priyanka Chopra starrer flick ‘Saat Khoon Maaf’ on that date.
Reasons why Aamir has preponed his film:
1. Firstly, the cricket World Cup is to begin next year and hence the date of 25th February won’t be an auspicious time for any Bollywood film.
2. Secondly, 21st January is a good time to release the film given that it is the festive week with 26th January being observed as India’s Republic Day. "Aamir feels the earlier he comes during the year the better. The January 26 weekend is a great time to release a film.”
Now, since UTV has produced both ‘Dhobi Ghat’ and ‘Saat Khoon Maaf’, it is now pressuring Vishal to change the date of his flick. Aamir and Vishal are not on very amiable terms and this tiff would only add to their personal woes.
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